Sanctuary in a Country That Has Forgotten How to Love Its Own
Sanctuary in a Country That Has Forgotten How to Love Its
Own
There are mornings when I wonder if I still belong to this
country, or if it slipped from beneath my feet while I was sleeping. The
streets I once walked without thought now feel charged with suspicion, lined
with the quiet dread of patrol cars and unmarked vans, of ICE raids that arrive
like storms with no forecast and no mercy. Somewhere, a family door splinters
at dawn; somewhere, another mother cries into her hands. Safety has become so
fragile that even silence feels like a risk.
I live in the place where I was born, and yet I move through
it like an uninvited guest. The language of “law and order” now sounds like an
elegy for the living. Men in suits write policies that turn neighbors into
targets and whole communities into crime scenes. Fascism does not always
announce itself with grand speeches and marching boots; sometimes it arrives in
memos, in budgets, in the practiced calm of a press conference. It is a cold
thing, this new order, and it is spreading.
Each new headline adds weight to the day. Another raid.
Another child taken. Another murder justified in the name of security. I tell
myself to keep going: to work, to organize, to write, to show up. But every
endeavor feels heavier now, as if grief has been stitched into the very fabric
of time. The body remembers what the mind tries to outrun.
And yet, here, within these walls, we have made a small
world that holds us steady. Our home is a sanctuary. Out back, the garden is my grounding place, a place where I can still trust the rhythm of the seasons more
than the promises of any politician. I till the soil and press seeds into the
earth with a care that feels ancestral, as if I am consulting with ghosts every
time I plant another future.
I sit in the back garden listening to the birds trade songs
like local gossip, watching the cats stage their small dramas among the plants.
The bees move from blossom to blossom in a joyous feeding frenzy, drunk on
abundance. They do not know our human struggle, our raids and cages, our
borders and bans. Their world is simple and profound: food, shelter,
continuation. I am thankful for their innocence. Their devotion to life, to
sweetness, feels like a lesson I am still trying to learn.
Inside, the house holds its own maps. My spice drawers,
cabinets, and cookbooks are journeys I can take without crossing the threshold.
A pinch of cumin, the smoke of paprika, the bright sting of citrus, each one is
a passport stamp from another kitchen, another history, another table where
people gather to eat and argue and laugh and grieve.
I travel with my hands: toasting seeds in a dry pan,
stirring a simmering pot, kneading dough until it yields and breathes. I move
from country to country without ever opening the front door. This is not
escapism; it is survival. In a nation that makes us feel unwelcome even in our
own neighborhoods, cooking becomes a way to insist that we are still here, that
our stories still season the air.
“In a
country that would rather see us disappear, I plant seeds, salt the beans, and
call this small plot of earth home.”
Then the next blow lands. Another brutal murder. Another
life excused away by a statement, a press release, a shaky video replayed until
it becomes its own kind of violence. The destruction of so many lives has
become background noise in this country, but in this house, it is felt in the
bones.
When the news comes, I retreat to the kitchen or the garden,
not to turn away, but to gather myself back from the edge. To process the pain and hold space for those who have left us by placing their bodies on the front line of fascism. To hold space for those in the streets protecting their neighbors and marching for a better tomorrow for their kids and all of us. I press my palms
into bread dough and feel the stubborn insistence of life rising under my
fingers. I step outside and watch the bees at work, the cats stretching in the
last of the sun, the birds stitching the sky with their flight. The world, in
its quiet corners, refuses to stop living. Thoughts of how I can help, Minnesota, California, Phoenix, all the cities and spaces being targeted for no other reason than we resist a monoculture built on violence and hate.
This home is where I replenish my soul as best I can. It is
where I let myself weep, where I write, where I remember the names and faces
behind the headlines. It is where I hold the tension between terror and
tenderness, between a country that feels increasingly uninhabitable and a small
patch of earth that still feels like mine.
I do not know what this country will become. I know only
that fascism is no longer a distant warning but a daily weather report, that
state violence has woven itself into the ordinary hours of our lives. I know
that displacement is not only about crossing borders; it is also about standing
in your own doorway and wondering if you are safe.
But I also know this: as long as I can till the garden,
listen to the birds, watch the bees at their work, season a pot of beans, and
share a meal with those I love, I am not entirely lost. This house, this
garden, this kitchen are the places where I resist becoming only a witness to
harm. They are where I remember how to be fully human.
Here, even in a country that has forgotten how to love its own, I plant, I cook, I write, and I grieve. Here, in this small sanctuary, I refuse to disappear.
Jeffrey Lazos Ferns
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